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Origins of Gospel and Christian Music
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Origins of Gospel and Christian Music
Origins of Gospel and Christian Music
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Hip Hop Music THE ORIGINS OF HIPHOP
Hip Hop Music
Hip hop roots are traceable to a myriad of musical genres that were in existence before its inception. A common factor among all these styles is that they had been inspired by African musical styles. Some of these parent styles include African-American gospel, folk, jazz, blues and R&B. Afro-Caribbean styles such as calypso, salsa, soca, ska and reggae can also be cited as the earliest influences for the birth of hip hop music. This then begs the question of how these genres came together to form a genre of music that has attracted critics and fans alike.
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Read on and we will delve into a few useful tips.
The history of hip hop begins in the early 16th century, when natives of West Africa were being transported to North and South America where they were condemned to work as slaves for the rest of their lives. The oral traditions of these Africans were carried over into these new lands. These traditions were passed down through each succeeding generation and evolved to be a form of resistance for the slaves as well as a unifying source of comfort. They evolved to spiritual songs which were then known as negro-spirituals and ballads. These songs have prevailed up to the present as popular hymns.
Eventually, as the slaves were assimilated into Christianity and began forming their own churches, the form of music that had originated from Africa spawned a response rhythm between a congregation and the presiding minister. At the same time, other musical styles like jazz, blues and soul were introduced into the south which had a large population of blacks.
A fusion of these styles of music found its way into Jamaica through the American soldiers who were enlisted in the Caribbean during World War II. The main musical genre present in Jamaica at the time was reggae and a practice known as versioning was widely known. Versioning occurred as a result of an artiste creating and recording a vastly popular song. This popularity would spur other artistes to come up and make different versions of it. This resembles what is referred to as sampling in hip hop.
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DJs were very popular in Jamaica and they would put up temporary discos in rented buildings or even the streets. This was a very competitive activity and this competitive nature gave rise to the concept of toasting. Toasting involved the scripted or even improvised talking of a DJ over a song while it was playing. Most of the times, this talking was in the form of jabs aimed at rival DJs. Toasting gave rise to two types of reggae known as talk over and dub. Talk over was the term used when a DJ was recorded toasting a particular tune. Dubs added the use of sound effects such as echo and treble to talk over.
This knowledge of toasting and dubbing was introduced to the streets of West Bronx New York by a Jamaican immigrant known as Clive Campbell. Campbell armed himself with a huge sound system, adopted the stage name Kool Herc, and began his career as a DJ. As a rap DJ, he would rap using the microphone over a tune while making in-house references. As this practice was quickly duplicated along Brooklyn and Manhattan by other DJs, the foundation of hip hop was thus laid.
